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DISK 1
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|
|
| tracks 1-6: Olympic Studios, London, England (Sept. 20 - Oct. 10, 1968) |
|
| track 7: Morgan Studios, London, England (June 1969) |
|
| 1. Babe I'm Gonna Leave You (6:58) full band, take eight |
| 2. Babe I'm Gonna Leave You (6:14) full band, take nine |
| 3. You Shook Me (7:53) |
|
- take one, cut - different arrangement from the album; this has bass
and no organ. |
| 4. Baby Come On Home (Tribute To
Bert Burns) (8:50) |
- - take one - instrumental (0:00
- 1:23)
- - take two - instrumental (1:45
- 2:49)
- - take three - final, uncut
recording (3:31 - 8:50)
|
| 5. Classical Guitar 'n' Church Organ
(15:51) |
- - take one (0:00 - 2:41)
- - take two (3:06 - 7:17)
- - take three (7:37 - 12:37)
- - take four (12:59 - 15:47)
|
| 6. More Classical Guitar 'n' Church
Organ (21:34) |
- - take one - church organ
intro (0:17 - 0:47)
- - take two - inc. faster
guitar (0:55 - 2:02)
- - JP apologizes for
messing up
- - take three - inc.
Dracula-esque organ (2:18 - 3:55)
- - JP asks what he's doing
wrong
- - take four - omenous,
distorted organ (4:11 - 6:56)
- - take five - guitar comes
in early (7:08 - 11:19)
- - take six - best take yet!
(11:36 - 16:31)
- - take seven - glassy
distortion on the organ (16:48 - 21:32)
|
| 7. Sugar Mama (2:58) completed,
mixed studio outtake |
|
DISK 2
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|
|
|
| track 1: Olympic
Studios, London, England (Nov. 1969) |
|
| track 2:
Electric Ladyland Studios, New
York, NY (June 1972) |
|
| track 3-5: Headley Grange Studios, Hampshire, England (May-June 1970) |
|
1. Jennings Farm Blues (Bron-Yr-Aur
Stomp) (24:51)
- - take one - short jam (0:00 -
1:18)
- - take two - jam becoming more
like "Bron-Y-Aur Stomp" (1:55 - 3:16)
- - take three - guitar intro
--> "Stomp" jam (3:50 - 4:29)
- - take four - guitar intro
--> jam (4:36 - 5:22)
- - take five - jam falls apart
after the intro (5:26 - 5:42)
- - take six - long cool
"Bron-Y-Aur Stomp" jam (5:48 - 10:20)
- - take seven - different jam,
ends suddenly (10:31 - 12:40)
- - take eight - short intro
--> long jam (12:54 - 16:16)
- - take nine - intro -->
"Stomp" jam (16:45 - 17:47)
- - take ten - jam dies quickly
(17:58 - 18:20)
- - take eleven - full song with
overdubs, licks, solos, percussion (18:30 - 24:45)
|
2. No Quarter (early rehearsals)
(25:06)
- - take one - instrumental, no
overdubs/guitar solo (0:00 - 7:24)
- - intro take 1 (7:52 - 8:09)
- - intro take 2 (8:23 - 8:38)
- - take two - instrumental, cool
drums, keyboard overdubs (8:42 - 16:25)
- - intro take 3 (17:00 - 17:40)
- - take three - full version with
vocals, bass, synth-like guitar solo (17:47 - 25:02)
|
| 3. That's The Way (5:34) - alternate mix of the final recording |
4. Hats Off To (Roy) Harper
rehearsal jam (7:04)
- - includes "Feel So Bad",
"Fixin' To Die", "That's Alright Mama" and more...
|
| 5. Since I've Been Loving You (7:33)
- unedited, unmixed final recording |
|
DISK 3
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|
|
|
| track 1:
Headley Grange Studios, Hampshire,
England (May - June 1970) |
|
| track 2-3:
Mirror Sound Studios, Los Angeles,
CA (May 1969) |
|
| track 4-5: Bron-Yr-Aur Cottage, Wales (May 1970) |
|
| track 5 (the last
three takes - 45:20-54:38)-6: Headley Grange
Studios, Hampshire, England (Dec. 1970 - Jan. 1971) |
|
| 1. Since I've Been Loving You
(vocals) (3:03) - only Plant's vocals from beginning of
the song |
| 2. Moby Dick (1:39) - the
intro and coda of the song |
| 3. Bonzo! (6:59) - unedited
drum solo used on "Moby Dick" |
| 4. I Wanna Be Her Man (1:43) |
5. Guitar from Bron-Yr-Aur (54:38)
- - take one - calm guitar
strumming (0:00 - 0:42)
- - take two - a little fancier
(0:42 - 1:53)
- - take three - two guitars (1:53
- 2:37)
- - take four - acoustic guitar
with Plant humming (2:37 - 3:43)
- - take A - vaguely "Seaside" on
acoustic (3:43 - 4:51)
- - take five - hummed "Seaside"
combined with take one (5:00 - 7:20)
- - take six - fast jaunty intro
to the take five rhythm (7:20 - 9:38)
- - take seven - loose guitar
strum, exotic tuning (9:56 - 11:16)
- - take eight - more messing
around, lots of picking (11:16 - 12:58)
- - take nine - long neat song,
with overdubbed lead (13:21 - 18:32)
- - take ten - brief rhythm (18:32
- 18:43)
- - take eleven - rhythm and lead
become "Down By The Seaside" like (18:43 - 19:56)
- - take twelve - messing around
with a lead overdubbed (19:56 - 22:40)
- - take thirteen - new rhythm,
bluesy lead, Plant mumbles some vocals (22:40 - 23:50)
- - take fourteen - faster
blues... includes "Gallows Pole" at 24:35, then to the
- - "Seaside" chords... more "GP"
at around 26:00 (23:50 - 29:50)
- - take fifteen - "Gallows Pole"
rhythm continues with a sweet acoustic lead (29:56
- 31:35)
- - take sixteen - calmer "Down By
The Seaside" rhythm, nifty lead over a classical rhythm
(31:35 - 34:25)
- - take B - short take of "Down
By The Seaside" (34:34 - 34:44)
- - take C - more "Seaside", now
with Plant singing lyrics (34:44 - 37:49)
- - take D - fast twist part of
"Seaside" with lyrics (37:49 - 40:10)
- - take seventeen - more guitar
with some Plant vocals (40:10 - 41:55)
- - take eighteen - fast blues
with a frenzied lead (41:55 - 43:47)
- - take nineteen - brief vocals,
strange strumming (43:47 - 45:16)
- - take twenty - "Stairway To
Heaven" intro with piano, no recorders (45:20 - 49:08)
- - take twenty-one - cool piano,
acoustic solo, sounds like "Black Dog" rhythm (49:08
- 53:11)
- - take twenty-two - acoustic
rehearsal of "Black Dog"! (53:11 - 54:38)
|
| 6. Black Dog (acoustic) (:28) |
|
DISK 4
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|
| track 1: Jimmy Page's Home Studio / Headley Grange, Hampshire, England
(Dec. 1970 - Jan. 1971) |
|
| track 2: Olympic Studios, London, England (June 5, 1970) |
|
| track 3: Rolling Stones Mobile Studio, Stargroves, England (May
1972) |
|
| track 4:unknown |
|
1. Guitar From Page (42:57)
- - take one - one guitar, sort of
like the "Ten Years Gone" intro (0:00 - 1:25)
- - take two - nice, calm guitar
(1:25 - 2:02)
- - take three - slow version of
take two (2:02 - 4:09)
- - take four - lots of acoustic
diddling, distantly related to "The Rain Song" (4:24 - 6:23)
- - take five - another attempt at
take four (6:23 - 7:51)
- - take six - JP plays piano...
sounds like "The Rain Song" guitar part too! (7:51 - 10:54)
- - take seven - solo guitar,
includes "Ten Years Gone" riff (11:15 - 14:30)
- - take eight - guitar something
like "The Rain Song" (14:45 - 15:37)
- - take nine - similar to take
eight, even more like "The Rain Song" (15:37 - 17:11)
- - take ten - weird slow acoustic
slides like "The Rain Song" (17:11 - 18:18)
- - take eleven - similar to ten
(18:18 - 19:58)
- - take twelve - sounds very
familiar, but I can't place it! Help! (19:58 - 21:23)
- - take thirteen - heavier
acoustic guitar (21:23 - 23:45)
- - take fourteen - solo acoustic
"Bolero" jam... very cool! (23:45 - 24:42)
- - take fifteen - one pretty
guitar (24:56 - 29:20)
- - take sixteen - early rock
sound with a familiar bluesy rhythm (29:51 - 31:23)
- - take seventeen - thick rhythm
with a quick solo (31:23 - 33:28)
- - take eighteen - same as take
sixteen (33:40 - 35:09)
- - take nineteen - 50s rock
rhythm (35:09 - 35:57)
- - take eighteen repeated
- - take twenty - two slithery
guitars, starts to head towards "The Rain Song" (36:16 - 37:47)
- - take twenty-one - one guitar
strumming (37:47 - 39:25)
- - take twenty-two -
carnivalesque piano interlude... played by Page? (39:25 - 39:49)
- - take twenty-three - JP sings!
plays guitar! rocks! (39:49 - 42:22)
- - take twenty-four - acoustic
take of the fast part of "Hots On For Nowhere" (42:22 - 42:53)
|
| 2. Poor Tom (instrumental) (3:18) - very warped sound quality |
| 3. Walter's Walk (instrumental)
(4:37) - instrumental outtake used on "CODA" |
| 4. Guitar (:08) - 8
magical seconds! |
|
DISK 5
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|
|
|
| track 1: Bron-Yr-Aur
Cottage, Wales (May 1970) |
|
| track 2-6: Headley
Grange, Hampshire, England (May - June 1970) |
|
| track 7-15: Bron-Yr-Aur
Cottage, Wales (May 1970) |
|
| 1. Friends (instrumental) (3:26 |
| 2. Immigrant Song (2:40) - early rehearsal |
| 3. Out On The Tiles (3:32) - early rehearsal |
| 4. Bron-Y-Aur (1:37) - with congas and a baby crying |
| 5. Poor Tom (3:20) - two
takes |
| 6. Hey Hey What Can I Do (1:46) - rehearsal |
| 7. Guitar Instrumental (2:15) - fun and complete |
| 8. Guitar Instrumental #2 (2:05) - quiet, with a distant voice |
| 9. Poor Tom (3:33) - Page
and Plant demo |
| 10. Guitar Piece (2:05) - complete acoustic guitar duet... could have been another
"Bron-Y-Ar" |
| 11. Acoustic Duo (1:27) - Plant hums along to Page's guitar |
12. That's The Way (rehearsals)
(9:07)
- - take one - one guitar and
Plant... angrier and faster (0:00 - 2:46)
- - take two - similar, with more
guitar experimentation (2:50 - 4:22)
- - take three - guitar intro
(4:25 - 4:49)
- - take four - guitar from the
chorus with Stryder barking! (5:00 - 5:35)
- - take five - almost completed
song with finished lyrics (5:40 - 9:07)
|
| 13. Friends (instrumental #2) (1:22)
- with bongos, guitar, and Plant scat-singing |
14. Bron-Y-Aur / Guitar Fun (8:28)
- - take one - "Bron-Y-Aur" theme
with some different directions (0:00 - 2:20)
- - take two - fancier
instrumental, similar to "Bron-Y-Aur" (2:20 - 3:24)
- - take three - very cool, long
guitar piece (3:25 - 8:28)
|
| 15. Guitar Fun (1:59) - two more takes from previous track |
|
DISK 6
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|
|
|
| track 1-9:
Headley Grange, Hampshire,
England (Dec. 1970 - Jan. 1971)
|
|
| 1. Black Dog (6:56) - All
four members hard at work on figuring out their parts |
| 2. No Quarter (4:05)- crazy
fast early instrumental with Plant scat-singing and some great drums |
| 3. Stairway To Heaven (instrumental
takes) (7:01) |
|
- Jones on piano and Page on guitar work the song out
together |
| 4. Guitar Riff (1:01) - where's this from??? |
| 5. Stairway To Heaven (vocal take
one) (6:08) |
| 6. Stairway To Heaven (vocal take
two) (8:17) |
| 7. The Battle of Evermore
(5:45) |
|
- Plant is rehearsing and figuring out his vocals over
the master recording |
| 8. Guitar Instrumental (The Rain
Song) (4:18) |
|
- Parts may have been reused on "Death Wish 2"... at
3:20 sounds like "The Rover". |
9. Ten Years Gone (early demos)
(7:05)
- - take one - acoustic
approximation of "Ten Years Gone" (0:00 - 1:58)
- - take two - acoustic take of
"Ten Years Gone" (1:58 - 2:27)
- - take three - similar to take
two (2:27 - 3:02)
- - take four - rhythm and lead
stuff from "Ten Years Gone" (3:02 - 3:25)
- - take five - further perfecting
of "Ten Years Gone" leads (3:25 - 4:16)
- - take six - a different lead
lick (4:16 - 4:42)
- - take seven - more lead guitar
practice (4:42 - 5:09)
- - take eight - more of the same
(5:09 - 5:37)
- - take nine - slow lead over the
"Ten Years Gone" rhythm (5:37 - 6:02)
- - take ten - sounds like three
guitars (6:02 - 6:36)
- - take eleven - closest take to
the album version (6:36 - 7:05)
|
|
DISK 7
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|
|
|
| track 1-5: with the Bombay Orchestra, Bombay, India (March 1972) |
|
1. Friends (Bombay rehearsals)
(31:39)
- - conversation and noodling
around (0:00 - 4:19)
- - take one - slow take with
violin, sitar, acoustic guitar, tabla (4:19 - 9:10)
- - more discussions and whistling
and stuff (9:10 - 16:00)
- - take two - another rehearsal
take, ends early (19:32 - 20:17)
- - more instructions and lots of
practising (20:17 - 26:10)
- - take three - another take with
cool tabla (26:10 - 31:39)
|
| 2. Four Sticks (take one) (4:48) - lots of tabla and a little flute, bare instrumental |
| 3. Friends (take five) (4:49) - a complete, mixed take of the Bombay experiments... with Plant |
| 4. Friends (take eleven) (4:38) - another mixed take from Bombay... with Plant |
| 5. Four Sticks (take two) (2:16) -another take with more flute |
|
DISK 8
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|
|
|
| track 1:
Old Refectory, Southampton
University, Southampton, England (Jan. 22, 1973) |
|
| tracks 2-16: soundcheck, Chicago Auditorium, Chicago, IL (July 6, 1973) |
|
| 1. Love Me / Frankfurt Special
(5:49) - soundcheck fragments |
| 2. Sugar Baby (5:04) |
| 3. The Wanton Song (rehearsal) (2:37) |
| 4. The Rover (takes 1 & 2) (8:19) |
| 5. Night Flight (rehearsals) (11:01) |
| 6. School Days (3:08) |
| 7. Nadine (1:00) |
| 8. Round and Round (3:23) |
| 9. Move On Down The Line (2:51) |
| 10. Please Don't Tease (2:41) - Often mislabelled as "Love Me Like A Hurricane", this is the
correct title. |
| 11. Move It / Dynamite (3:01 |
| 12. Shakin' All Over (2:48) |
| 13. Hungry For Love (2:25) |
| 14. I'll Never Get Over You (2:10) |
| 15. Reelin' and Rockin' (1:43) |
| 16. Surrender / Rock and Roll (3:38) |
|
DISK 9
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|
|
|
| track 1-9: Headley Grange, Hampshire, England (Nov. 1973 - May 1974) |
|
| tracks 10:
WLIR 92.7, Westbury, NY radio
broadcast (spring 1975) |
|
| 1. The Wanton Song (rehearsals) /
Take Me Home (take one) (5:32) |
| 2. Take Me Home (take two) (4:43) - bad-ass rhythm section |
| 3. In The Morning (take one) (6:10) |
4. Trampled Under Foot (rehearsals)
(18:57)
- - take one - too fast, messy
version, different lyrics (0:00 - 2:18)
- - take two - close to take one,
falls apart (2:18 - 2:59)
- - discussion and noodling (2:59
- 3:59)
- - take three - funkier version
with strange guitar licks (3:59 - 6:36)
- - take four - bare take led by
the guitar, not the clavinet (6:50 - 10:48)
- - take five - similar to take
four, Plant is distant (10:56 - 13:10)
- - more messing around... cool
bassline! (13:10 - 15:22)
- - take six - closer to the
album, not perfect... (15:22 - 18:57)
|
| 5. In The Morning (take two) (6:01) |
| 6. Sick Again (rehearsal) (3:47) |
| 7. The Rover (acoustic) (1:18) |
| 8. Wacky Rhythm Jam (3:14) |
9. In My Time Of Dying (rehearsals)
(12:57)
- take one - fast, sloppy, and
funky take with little momentum (0:18 - 0:45)
- discussion (0:45 - 1:22)
- take two - sharper main riff,
trouble with the bridge (1:22 - 2:14)
- take three - long take close to
final version... very cool! (2:29 - 10:33)
- more discussion (10:33 - 10:54)
- take four - Bonham drums a
marching beat (10:54 - 11:15)
- more chatter and some bass
noodling (11:15 - 12:23)
- take five - like take four
(12:23 - 12:50)
|
| 10. The Wanton Song (Radio) (3:56) |
|
|
| DISK 10 |
|
|
|
| track 1-10: Polar Studios, Stockholm, Sweden (Nov. - Dec. 1978) |
|
| 1. Carouselambra (take one) (11:06)
- instrumental |
| 2. Wearing and Tearing (outtake)
(5:57) - pretty much identical to "CODA" version |
| 3. Fool in the Rain (outtake one)
(6:14) - Latin section not yet conceived |
| 4. Hot Dog (outtake) (3:29) - final recording without Page's guitar solo |
| 5. In The Evening (outtake) (6:36) -
similar to the final version, more
bass heavy |
| 6. South Bound Saurez (outtake)
(4:18) - final recording without Page's guitar solo |
| 7. Darlene (outtake) (5:18) |
| - longer jam at the
end than on "CODA", but close to the same length! Where's the editing? |
| 8. Fool in the Rain (outtake two)
(6:19) - much of the same recording as on "In through
the out door" |
| 9. Carouselambra (take two) (8:45) |
| 10. All My Love (alternate mix)
(7:55) - longer, unedited, alternate mix |
|
| DISK 11 |
|
|
|
| track 1-5: Victoria Theatre, London, England (May 1980) concert
rehearsals |
| tracks 6-7: Clearwell Castle, Forest of the Dean, Wales (May 1978) |
| track 8: Boleskine House, Loch Ness, Scotland (Nov. 1975) |
| tracks 9-11: S.R.I. Studios, Hollywood, CA (Nov. 1975) |
|
| 1. White Summer (live take one)
(2:23) |
| 2. White Summer / Black Mountain
Side (live take two) (6:17) |
| 3. Kashmir (live) (8:32) |
| 4. Achilles Last Stand (live) (10:12) |
| 5. Stairway To Heaven (live) (10:09) |
| 6. Fire (Say You Gonna Leave Me)
(4:43) - kick ass studio outtake |
7. Carouselambra (early rehearsals)
(12:34)
- - take one - first section, main
riff, vocals, different lyrics (0:00 - 2:53)
- - discussions (2:53 - 3:24)
- - take two - more practice of
the song (3:24 - 7:25)
- - discussion and some
synthesizer noodling (7:25 - 8:34)
- - take three - still working on
the song (8:34 - 12:14)
|
8. Lucifer Rising (outtakes) (5:12)
- - take one - Page's erratic
violin bow/guitar effect --- reused on "Death Wish 2" (0:00 - 1:00)
- - take two - smoother violin bow
over spooky rhythm (1:00 - 3:08)
- - take three - Indian sounding
violin bow fun (3:10 - 5:08)
|
| 9. Royal Orleans (instrumental)
(0:18) |
| 10. Tea For One (Hootchie Cootchie)
(2:44) |
| 11. Don't Start Me Talkin' / All My
Lovin' (4:55) |
|
|
|
